Motherland Chronicles #32 - Ea
Ea means fire. Inspired by Suemi Jun's paintings. ♥
Photography: Zhang Jingna
Hair: Junya Nakashima
Makeup: Viktorija Bowers
Model: Germaine Persinger
Photo Assistants: Ngoc Vu, Ernie Chang, Tiffany Liu
Headpiece: Harlequin Romantique
Backdrop: Savage Verona Hand Painted Muslin
Not often do I get to pinpoint specific inspirations for a piece of work. But I think this one is a little more deliberate than usual and is a rather good example. In this post I'll go over my process from inspiration to final image.
A little while ago, as I was musing about the lack of high fantasy anime/manga works in recent years, I started looking through Suemi Jun's works again.
Being one of my favorite Japanese artists besides Yoshitaka Amano, I thought, since I'm doing all these Amano-inspired pieces, why not explore something from other artists I love too? (Or in which I couldn't get Suemi Jun's works out of my mind for a couple of weeks.)
I first saw Suemi Jun's artbooks Gen and Haku at Kinokuniya in Singapore some 10-11 years ago. I fell in love with these covers:
They're so beautiful aren't they? ;_;
And thanks to the wonders of internet, I found this amazing collection of scans from Gen, making me wish I had brought the books with me to NY instead of leaving them back in Singapore.
So works re-discovered, I started thinking about how to put a shoot together.
I spent a few days looking at his paintings and then stopped completely, to think up the concept based on impressions his work left in my mind. Based around that, I gave directions to my hair and makeup team on the look to create.
Then came the clothing and accessories. Fortunately, I'd already had them loaned to me so I didn't have to go searching. All that was left was just getting smoke and a backdrop for the mood I wanted for the picture.
For smoke I rented a fog machine. With it, I could achieve what Jun sometimes does in his paintings, where the edges of his characters' clothes and hair faded off to the background in loose strokes, as if there was fog or fire.
To compliment and complete that effect, I used the Savage Verona muslin backdrop to recreate the rich browns and reds Jun often uses in his backgrounds.
|Featuring the Savage Verona Muslin backdrop|
At this, I know some of you probably think the smoke and backdrops are unnecessary details. I get that. I know there's a lot that can be done in Photoshop, but I really like being able to direct each element in a shoot. It makes me feel as if I'm creating fantasy in real life. That authenticity and experience is something I don't quite want to lose to digital manipulations, and is an aspect of photography that I deeply enjoy.
But because of that we ended up spending the whole afternoon on just the one shot in order for me to get the smoke, wind and hair placements just right. T_T;;
And even though I shot it warmly, I couldn't resist going with my usual greenish tones during processing at first. I did go back to reds and browns for tones eventually though.
This is probably my new personal high for the number of states a photo has gone through before reaching the end result. Just look at how many times I fooled myself into thinking that it was the 'final' (starting at end of first row), so sad. T_T;;;
But still, I know all the minute changes were necessary and paid off, just hope that it won't be like this every week because sleep is sometimes really good to have too. .___.