Motherland Chronicles #46 - The Seer

Tuesday, March 25, 2014


Motherland Chronicles #46 - The Seer

Photography: Zhang Jingna zemotion
Hair: Junya Nakashima
Makeup: Alyssa Lorraine
Model: Joanna Bajena
Photo Assistants: Ngoc Vu, Alyssa Yee, Haiyin Lin
Accessories: Harlequin Romantique


So I can't remember the exact beginning now, but sometime last year I saved a few pieces of work by Georges de La Tour onto my computer. They sat innocuously on my harddrive, idling for a long time. Until one day, I came upon the images again, and suddenly was all like, candlelight is so cool! Who did this? I want to try this! And so I went looking for more of his paintings.

The Dream of St Joseph
Christ in the Carpenters Shop - detail
The Penitent Magdalen

Sadly, planning the shoot wasn't as easy as when inspiration struck. We spent a couple weeks researching and sourcing for chambersticks I liked and ended up buying a handful -- from thrift stores, etsy, and one even came from Turkey. But lighting was a little tricky. After numerous tests and false starts I was worried that it was simply not going to work -- I didn't have anything that felt right to shoot with. The concept took a backseat after a while.

And then I scheduled a shoot with Joanna.

I didn't plan on shooting this concept at all initially (I had something else in mind entirely), but once we were done with the hair, makeup and styling, I knew I wanted to try. I took out the candles and candlesticks and started testing to see which ones worked best. The team probably thought I was just trying out the idea, which I often do on set for Motherland, but will then discard and go back to my original concept. When I carried on with this and eventually said, "Ok, we're done." I think everyone was pretty surprised haha. Yay for spontaneity on set?


A few days later, Toby and I went to check out the Vermeer exhibition at the Frick, and guess what, they totally had a de La Tour painting in permanent collection! When I saw it I was like, what, how did I not notice this the first time? I stared at it for a long while in disbelief. Because dude, this is fate. And I totally experienced a boatload of feelings here. Life was awesome.

When I finished up the picture some days later, I couldn't shake this special sense of affinity I'd come to feel for the picture because of the experience. Just ahh, life can be so interesting sometimes. 

And that's the story for this piece. :D Working on the last 2 now~~ 
       

Motherland Chronicles #45 - Rusalka

Tuesday, March 11, 2014


Uncensored image can be viewed on my Tumblr.

Motherland Chronicles #45 - Rusalka

Photography: Zhang Jingna zemotion
Hair: Junya Nakashima
Makeup: Gregg Brockington
Model: Germaine Persinger
Photo Assistants: Ngoc Vu, Bitna Kim, Tiffany Liu
Necklace & Body Chain: Harlequin Romantique


At the beginning of last year I did a self portrait in water. Motherland Chronicles had just started and the only model I had was myself, sometimes I just edited old photos for weeks I didn't shoot self portraits. I've been meaning to reuse the kiddy pool and shoot a model in it ever since then, but at the same time, I'd been circumspect about doing it because the water gets very cold, first hand experience and all that.

Eventually though, I was just like, omg screw this I want to shoot in water again! And so I made as much preparations as I could, and did all the things I didn't do the first time -- lined the floor with carpet, tarp and blankets, turned up the heater, and hoped for the best. And with more assistants, we were also able to constantly add hot water to the pool and that definitely helped with the water temperature. So thank you my lovely team for the great effort in keep Germaine warm.

Besides water, the other key element here are the flowers. There's not much to say about it other than I just arrange them however I think will look good for the shot depending on the model's pose. But I do however want to share a random interesting thought that occurred to me the other day. :D

So pretty much every time I decide to use flowers in a shoot, I buy them from the deli/florist down the street on the day itself. And since the choices are based on the season and what they stock at the shop on that very day, it means the store's inventory kind of influences and decides how and what I'm shooting each time. Take a moment to absorb the significance of that.

It basically goes like, here is a complete stranger deciding on what flowers to sell at his stands on any given day, because he thinks they will sell, I go there, make an arbitrary selection, bring them home, shoot something that's kind of important to me, post it on the internets. That person literally set the direction for a part of my life for a day, and affects what you see in the end artwork. Isn't that kind of awesome and mind-boggling? Just a little bit?

So anyway, random thought is random! But it makes me really thankful for these guys selling flowers, cuz if not for them many of the pieces for Motherland Chronicles wouldn't have happened at all. Thank you deli market strangers, you're awesome.

And that's that! A really super random anecdote from doing the series and shooting at home. Hope everyone's having a great week so far~ 8D